There are 12 traditional lineages of Kokeshi dolls, and each one of these has a distinct trait to highlight its individuality. Apprentices learn these characteristics from their masters — from the subtle shapes to the facial expressions and body designs — while adding their own uniqueness to the piece.
Naruko (Miyagi): a representative lineage of Kokeshi dolls. They have sturdy, slender-waisted bodies. The head is inserted into the body and makes a squeaking sound when turned. The body is often adorned with vibrant designs, such as red and green chrysanthemums.
Togatta (Miyagi): Characterized by a relatively large head and small, sloping-shouldered body. In addition to floral designs (such as chrysanthemums and plum blossoms), some feature decorations resembling kimonos. Artisans use brush strokes to create split flowers and a gentle expression around the eyes — also distinctive features of the Togatta Kokeshi doll.
Sakunami (Miyagi): Characterized by a small, inverted triangular head and slender body. It is one of the oldest types of Kokeshi produced and the form is easy for children to hold, suggesting that it may have been first made and used as toys.
Yajiro (Miyagi): Known for the multi-colored rings painted on the head and a slightly concave trunk. Compared to other Kokeshi doll styles, they have many colors and a vibrant impression.
Hijori (Yamagata/Miyagi): Features a distinctive shape with a thick, straight body and broad shoulders. The design combines the techniques of the Naruko and Togatta Kokeshi. The charming, smiling expression is endearing, and the design often includes floral patterns, such as chrysanthemums and pinks on the body.
Zao Takayu (Yamagata): Influenced by the Tsuchiyu style, which was started by craftsmen who made the Togatta style on the other side of the mountain. The dolls have a rounded, sturdy shape with a thick, short body and a large head.
Yamagata (Yamagata): Similar to the Sakunami style. It has a form that is easy for children to hold, and its nose as the same type as the Togatta style.
Tsuchiyu (Fukushima): Known for having the "most advanced lathe patterns" among all the Kokeshi lineages. Its most prominent characteristic is its beautiful horizontal stripes created with red, yellow, and green lathe lines.
Nakanozawa (Fukushima): Characterized by wide-open eyes, a button nose, and red makeup around the eyes. It has a distinct expression different from other Kokeshi dolls and is affectionately known as "Tako Bouzu" (Octopus Monnk). This style is an independent lineage that branched off from the Tsucihyu style.
Tsugaru (Aomori): A relatively new style that started around 100 years ago. It is characterized by a bobbed haircut and a charming smile, with a slender waist and flared bottom. The dolls feature Ainu patterns and other designs.
Nanbu (Iwate): Characterized by the head, called "Kinakinabou" (which evolved into "Kinakinabokko"), which is inserted and can move around the neck axis. Originally, neither the face nor body patterns were drawn onto the doll. Eventually, influenced by other styles, artisans began to add patterns.
Kijiyama (Akita): Made from a single piece of wood and are characterized by small heads and relatively large bodies. Unlike other Kokeshi dolls that often feature stylized designs, these dolls are notable for their decorations resembling women's kimonos.
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