Fukuoka Airport Domestic Lounge
- Most of the lounge area faces windows to provide an open, scenic view of the runways.
- The new lounges offer high quality, sophisticated areas with a modern touch, incorporating textures of Japanese materials and traditional crafts originating in Fukuoka.
- A cozy layout that is suitable whether traveling on business or for leisure Each seat is spacious and functional with ample space for storing bags.
Mr. Ryu Kosaka
Born in 1960, Tokyo, he graduated from the architecture department of Musashino Art University and entered Nomura Co., Ltd. He is currently the creative director of A.N.D. (Aoyama Nomura Design) within Nomura's commercial space department. He has worked on several high-profile restaurants and hotels, including the Mandarin Oriental Tokyo Main Dining Room, and the environmental design for the Shin-Marunouchi Building. In the last few years his activities has been expanded to foreign countries.
Mr. Hironori Takeuchi
Born in Chiba in 1982. Graduated Musashino Art University. In 2011, joined NOMURA Co., Ltd. Has Designed many luxury spaces, including JAL’s international lounge at Tokyo Haneda Airport, W Guangzhou- FEI, LEXUS MEETS…HIBIYA.
- JAL's exclusive domestic lounge reopens to offer a superlatively relaxing atmosphere.
- Light meals served throughout the day.
- Renovated with a brand new interior design for optimal rest, relaxation and comfort.
- the lounge has expanded in space.
Title: Kusho – Writings in the Air: Reversible Rotation in Black and White with Cranes – Fukuoka, Gold Light, Day and Night
Ultrasubjective Space is logically perceived to rotate equally in both the left and right directions whereas all kusho works of art rotate only in one direction. Therefore, your consciousness will read the character from the left or right direction. Kusho is calligraphy in the air. The deep, fast, and powerful black ink traces gives a new interpretation as it reconstructs the character three-dimensionally in space. The logical structure of TeamLab’s Ultrasubjective Space becomes two dimensional. In other words, the calligraphy wanders both back and forth between a flat plane and solid body. This work brightens up with the sun rise and darkens when the sun sets. During the night it glitters in gold light.
teamLab is a collective, interdisciplinary creative group that brings together professionals from various fields of practice in the digital society: artists, programmers, engineers, CG animators, mathematicians, architects, web and print graphic designers and editors. Referring to themselves as "Ultra-technologists," their aim is to achieve a balance between art, science, technology and creativity.
Calligraphy art by Sisyu
Going up to the lounge by escalator, calligraphic sculpture "letterscape" by Ms. Sisyu, a famous Japanese calligraphy artist, welcomes you.
Sisyu (Calligraphic artist)
A Japanese calligraphic artist officially recognized by the Japanese government. Born in Japan, she dedicated herself to creation ever since she started "Sho" (calligraphy)at the age of six. Moved to Tokyo and started her professional career as a calligrapher. Her creations inherit the traditional "Sho" and express the transition from the past to a new age of "Sho" with a new perspective. Using calligraphy, Sisyu has established herself as an artist in Japanese calligraphy and she has expanded this by incorporating them into other art forms such as sculptures, media arts, and paintings. This comes in forms of etched iron calligraphy, and her latest artwork adds calligraphy etched in glasses to the collection. This has evolved into a grander scale that combines sculptures, lights, and shadows. Through this work, Sisyu symbolizes the Japanese soul of "Zen" and is consistently projecting this art form to the world.
Her latest endeavor involved being invited by Societe Nationale des Beaux-Arts (founded 155 years ago by Rodin)in year 2014 and 2015 as a VIP guest where she adorned the entrance area of the art exhibition (Art Salon)at the basement hall "Carrousel du Louvre" with 250m2 of floor space.